Jersey club drum patterns.

10 jersey club patterns at 135 BPM. Play one, change any step, take it to your DAW as MIDI.

Jersey club is built on a kick pattern you can clap: one, a-of-one, and-of-two, then and-of-three, four. Five kicks a bar, bunched then spread, at 135 BPM. Over it a snare on two and four and, in the last sixteenth of the bar, the sound the genre is known for, a bed squeak, which here is our vox hit. It is a dance style first, so every pattern is a move.

The kick pattern. Five kicks a bar in the 1, a-of-1, and-of-2, and-of-3, 4 shape; snare on two and four.

Hat
Snare
Kick

Drop a sound on any row to play it there.

Open in the drum sequencer →

With the vox. The vox sample on the a of four, where the bed squeak goes.

Hat
Vox
Clap
Snare
Kick

Drop a sound on any row to play it there.

Open in the drum sequencer →

Kick triplet. Three kicks in a row at the end of the bar: the fill the floor waits for.

Open hat
Hat
Snare
Kick

Drop a sound on any row to play it there.

Open in the drum sequencer →

Baltimore club. The older cousin: kick on 1, a-of-1, and-of-2 and 3, a sampled vox stab on the a of two.

Hat
Vox
Clap
Snare
Kick

Drop a sound on any row to play it there.

Open in the drum sequencer →

Footwork. Chicago at 160: kick in the tresillo, toms rolling in triplet-ish sixteenths, sparse snare.

Hat
Tom
Snare
Kick

Drop a sound on any row to play it there.

Open in the drum sequencer →

Sparse, kick and vox. Only the kick pattern and the squeak: the break before the drop.

Vox
Kick

Drop a sound on any row to play it there.

Open in the drum sequencer →

Two bars, kick swap. Bar two swaps the last two kicks for a kick triplet into the crash.

Crash
Hat
Snare
Kick

Drop a sound on any row to play it there.

Open in the drum sequencer →

Half-time club. The five-kick pattern with the snare on three only: the break before the drop.

Hat
Snare
Kick

Drop a sound on any row to play it there.

Open in the drum sequencer →

Clap and vox stacked. Clap on two and four with the vox on the a of four and an open hat on the and of four.

Open hat
Hat
Vox
Clap
Kick

Drop a sound on any row to play it there.

Open in the drum sequencer →

Fast at 140. The kick pattern at 140 with sixteenth hats: the faster end of the club.

Hat
Snare
Kick

Drop a sound on any row to play it there.

Open in the drum sequencer →

How a jersey club beat is built

The kick

The snare on two and four

Hats in eighths

Then a variation: With the vox

Kick on steps 1, 4, 7, 11 and 13. Read it as two groups: three kicks that start on the beat and get later (1, 4, 7), then two that land on the and of three and on four (11, 13). The gap between step 7 and step 11 is the breath the dancers use. Snare on 5 and 13; the kick and snare share step 13, which is the slam at the end of the pattern. Hats on the eighths, straight. The vox goes on step 16 alone, so it falls just before the next bar's first kick. The triplet variation turns steps 13, 14 and 15 into three kicks in a row, a fill that the floor expects every fourth or eighth bar.

More drum patterns

The beat you want is in a song you’re playing.

DOT records anything your Mac plays, with its BPM, so you can loop the part and program it here.

DOT Audio Recorder

Free to try · $49 once · macOS 14.4 or later

Questions.

What tempo is jersey club?

130 to 140 BPM; the grid opens at 135. Baltimore club, its older cousin, sits in the same range with a different kick pattern.

What is the squeak sound?

A bed-spring sample, in the original records. This page uses our own vox hit on the same step; drop any short sound you like on that row and it does the job.

Why five kicks and not four?

Because the pattern is a dance count, not a march. The fourth-beat kick lands with the snare and the three early kicks lean into it; take one away and the move loses its shape.

More free tools

All free tools →