A drum pattern is where the hits go: which steps of the bar carry the kick, the snare and the hats. Every genre has a handful that define it, and most fit on a sixteen-step grid. Each page below opens the drum sequencer preset to the genre's main groove, with five to nine more patterns underneath, the ones players and producers actually use: a sparse verse, a busy chorus, a two-bar phrase, a fill, a half-time version, a classic tempo. Every pattern is its own small sequencer: press play, change the steps and the tempo, clear it and start again, download it as MIDI (the file is named after the genre and the pattern), or drop your own sound on any row to hear the pattern with it. "Open in the drum sequencer" takes the pattern into the full tool, with Copy link, WAV export and up to four bars.
By genre
- Trap, 140 BPM
- Boom bap, 90 BPM
- House, 124 BPM
- Techno, 132 BPM
- Drum and bass, 174 BPM
- Reggaeton, 95 BPM
- Jersey club, 135 BPM
- UK garage, 132 BPM
- Rock, 120 BPM
- Drill, 142 BPM
- Lo-fi hip hop, 80 BPM
- Hip hop, 92 BPM
- Amen break, 165 BPM
- Basic drum beats, 100 BPM
- Drum fills, 110 BPM
- Hi-hat patterns, 100 BPM
- Jazz and swing, 160 BPM
- Funk, 104 BPM
- R&B and soul, 72 BPM
- Pop, 118 BPM
- Bossa nova, 120 BPM
- Samba, 96 BPM
- Afrobeats, 105 BPM
- Reggae, 75 BPM
- Disco, 120 BPM
- Punk, 180 BPM
- Metal, 150 BPM
- Breakbeat, 120 BPM
- Dubstep, 140 BPM
- EDM, trance and hardstyle, 128 BPM
- Phonk, 135 BPM
- Country, 120 BPM
- Blues and shuffle, 120 BPM
- Latin, 100 BPM
- 6/8 and 12/8, 80 BPM
What each block does
Play runs the pattern in a loop. Tap a square to add or remove a hit, drag the tempo, press Clear for an empty grid. Download MIDI gives you that pattern alone; the full page's worth is a few clicks. Drop a WAV onto a row name and that row plays your sound instead. Open in the drum sequencer carries the pattern, your edits included, into the sequencer, where you can add bars, share a link and export WAV.
Start here
If you have never programmed a beat, the basic drum beats page is eight patterns in order of difficulty, and the drum fills page shows how a bar ends. The hi-hat patterns page keeps the kick and snare still and changes only the top, which is the fastest way to hear what separates one genre from another.
How to read the grids
Each row is a sound and each square is a sixteenth of a bar: four squares to a beat, sixteen to a bar, thirty-two when a pattern needs two bars, twelve where the feel is triplets: the 6/8 page, jazz, the shuffles. A filled square is a hit. The kick, the snare and the hats make the frame; the clap, the rim, the shaker, the toms, the 808 and the vox are the colour. Swing moves every second sixteenth late, and the pages say how much each genre wants.
Where the patterns come from
They are the conventions of each style, written for these pages: the way a trap producer places a snare, the way a house track places an open hat, the way a samba surdo sits on two and four. None is a transcription of a particular record, and the amen break page carries the rhythm with our own sounds, not the sample. Change anything; the grid is yours.